Musica Viva Australia
Ladybelle Quartet
The Ladybelle Quartet is a modern and debonair experience, blending a new urban groove with classic jazz.
more info...Emma Pask Quintet
Emma Pask’s warm voice and her original performances are reminiscent of the classic jazz era, when swing topped the charts. “The greatest gift to Australian jazz vocals in the last decade” is how James Morrison, Australia’s most awarded jazzman, describes Emma.
more info...Andrew Robson Trio
Andrew Robson performs with Hamish Stuart and Steve Elphick, two prolific jazz performers. Their performances as a trio will enrich and delight audiences.
more info...Michelle Nicolle Quartet
Michelle Nicolle is an exceptional jazz vocalist with a formidable technique and a staggering range who will entertain you with her effortless improvisations.
more info...Janet Seidel Trio
Often called as Australia's Diana Krall, singer pianist Janet Seidel has been described as 'Australia's most successful jazz influenced performer today' (Gold Coast Mail).
more info...Mike Nock
Jazz pianist and composer Mike Nock is considered one of Australia's first and foremost jazz composers and pianists, who enjoys a truly international reputation spanning four decades. Mike has performed and studied with the jazz greats, including Keith Jarrett and Sam Rivers.
more info...The World According to James
The World According to James was formed in 1992 by James Greening, one of Australia’s leading jazz trombonists, who has been widely praised for his work with such leading ensembles as Wanderlust, The Catholics and The Umbrellas.
more info...Mark Isaacs Resurgence
Australian jazz pianist and composer Mark Isaacs performs original tunes featuring lyrical melodies and affecting grooves in a quintet with James Muller (guitar), Matt Keegan (sax), Brett Hirst (bass) and Tim Firth (drums).
more info...Galapagos Duck
This highly professional and polished ensemble has many years of experience both overseas and throughout Australia. Galapagos Duck's unique approach enjoys wide popularity.
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